SENECA REVIEW

Nicole Yurcaba reviews Ksenia Rychtycka's A Sly Full of Wings.

Chelsea Christine Hill reviews Joanna Klink's The Nightfields.

Daniel Schonning reviews Rachel Manheimer's Earth Room.

Daniel Schonning reviews Kazim Ali's The Voice of Shelia Chandra.

Taylor Byas reviews Khadijah Queen's Anodyne.

Kelly Weber reviews Eleni Sikelianos' What I Knew.

Daniel Schonning reviews Claudia Keelan's Ecstatic Émigré.

Timothy O'Keefe reviews Mónica de la Torre's The Happy End/All Welcome.

Jacob Paul reviews Selah Saterstrom's Ideal Suggestions: Essays in Divinatory Poetics.

Rachel Abramowitz reviews Shira Dentz's How Do I Net Thee.

Claire Tranchino reviews Andrew Seguin's The Room in Which I Work.

Stephen Kuusisto reviews Robert Bly's Iron John.

Stephen Kuusisto reviews Nanao Sakaki's Real Play.

David Weiss reviews Jorie Graham's The End of Beauty.

Albert Herzing reviews James Dickey's The Zodiac.

Bob Leitz reviews Albert Goldbarth's Comings Back.

Monroe Lerner reviews Thomas Lux.

Ira Sadoff reviews John Ashbery's Self Portrait In A Convex Mirror.

Ira Sadoff reviews Norman Dubie's In the Dead of the Night.

Ira Sadoff reviews Linda Pastan's Aspects of Love.

Ira Sadoff reviews Jon Anderson's In Sepia.

James Crenner reviews Michael Culross' The Lost Heroes.

Ira Sadoff reviews Russell Edson's The Clam Theater and The Childhood of an Equestrian.

Ira Sadoff reviews Gregory Orr's Burning the Empty Nests.

H. R. Hays reviews Lennart Bruce's Observations.

Ira Sadoff reviews John Haines' The Stone Harp.

H. R. Hays reviews Robert Peterson's Wondering Where You Are.

James Crenner reviews Mark Strand's Darker.

Ira Sadoff reviews Mona Van Duyn's To See, To Take.